Skip to content

menu

Greenberg Traurig, LLP logo
HomeContact
Search
Close

Cultural Assets

Legal Analysis and Commentary on Art and Cultural Property

Topics

Art Ban

U.S. Ivory Regulation: A Q&A with Craig Hoover, U.S. Fish & Wildlife ServiceU.S. Criteria for The Antique Exception to the Ivory BanCollateral Damage: Ivory Ban’s Effects on Collectors, Museums, Musicians, and the Art Trade

Art Conservation

When Artists Disavow Their Work

Art Consignment

Art Consignment and the Risk of FraudBotticelli’s 'Madonna and Child': The Risks of Art Consignment

Art Destruction

ISIS’s Destruction of Antiquities and Ancient Sites

Art Disavowal

When Artists Disavow Their Work

Art Legacy

The Rights of Images: Vivian Maier – The Battle for a Photographer’s Legacy

Art Loans

Art Consignment and the Risk of Fraud

Art Recovery

Nazi-Looted Art: Cranach Paintings to Remain at Norton Simon MuseumPersepolis Collection:  Iranian Artifacts Immune from ExecutionCassirer v. Thyssen-Bornemisza Collection Foundation: Application of Spanish Law of Adverse Possession Vests Title to Pissaro Painting in Spanish Museum, Not Original Owner’s Heirs

Art Repatriation

Nazi-Looted Art: Cranach Paintings to Remain at Norton Simon MuseumThe Restitution, Repatriation, and Return of Cultural Objects: The Parthenon Debate (Part II)The Restitution, Repatriation, and Return of Cultural Objects: The Parthenon Debate (Part I)

Art Sales

Problems of Provenance: The Gilgamesh Dream TabletImplications for Art Dealers in Anti-Money Laundering Provisions of the National Defense Authorization Act of 2021When Artists Disavow Their Work

Art Transactions

Problems of Provenance: The Gilgamesh Dream TabletImplications for Art Dealers in Anti-Money Laundering Provisions of the National Defense Authorization Act of 2021When Artists Disavow Their Work

Art Valuation

New York Senate Passes Bill to Protect Art AuthenticatorsU.S. Ivory Regulation: A Q&A with Craig Hoover, U.S. Fish & Wildlife ServiceU.S. Criteria for The Antique Exception to the Ivory Ban

Artist-Museum Partnership

Artist Resale Royalty and Artist-Museum Partnership Bills Re-Introduced

Authentication

When Artists Disavow Their WorkNew York Senate Passes Bill to Protect Art Authenticators

Cultural Plunder

Nazi-Looted Art: Cranach Paintings to Remain at Norton Simon MuseumPersepolis Collection:  Iranian Artifacts Immune from ExecutionThe Restitution, Repatriation, and Return of Cultural Objects: The Parthenon Debate (Part II)

Cultural Property Protection

The Restitution, Repatriation, and Return of Cultural Objects: House Passes Bill to Coordinate U.S. Cultural Property Protection

Estate Tax

Determining the IRS’s Fair Share: Considering Discounts to Establish the Value of Interests in Artwork for U.S. Transfer Tax Purposes

Fakes/Forgeries

Object Lessons: De Sole v. Knoedler & Company (Part II)Object Lessons: De Sole v. Knoedler & Company (Part I)Art Consignment and the Risk of Fraud

Featured

SCOTUS Warhol Decision Articulates Narrow Limitation to Transformative Fair UseProblems of Provenance: The Gilgamesh Dream TabletImplications for Art Dealers in Anti-Money Laundering Provisions of the National Defense Authorization Act of 2021

Gift Tax

Determining the IRS’s Fair Share: Considering Discounts to Establish the Value of Interests in Artwork for U.S. Transfer Tax Purposes

Intellectual Property

Droit de Suite: California Resale Royalty Revisited

Museum Operations

Nazi-Looted Art: Cranach Paintings to Remain at Norton Simon MuseumPersepolis Collection:  Iranian Artifacts Immune from ExecutionWhen a Museum Falters: The Corcoran Gallery of Art

Nazi-Looted Art

Nazi-Looted Art: Cranach Paintings to Remain at Norton Simon Museum

Resale Royalty

California Cannot Require Resale Royalty on Out-of-State Art Sales, But the Most Important Issues Remain to Be Addressed on Remand

Stolen Art

Nazi-Looted Art: Cranach Paintings to Remain at Norton Simon MuseumPersepolis Collection:  Iranian Artifacts Immune from ExecutionCassirer v. Thyssen-Bornemisza Collection Foundation: Application of Spanish Law of Adverse Possession Vests Title to Pissaro Painting in Spanish Museum, Not Original Owner’s Heirs

Transfer Tax

Determining the IRS’s Fair Share: Considering Discounts to Establish the Value of Interests in Artwork for U.S. Transfer Tax Purposes

Stay Connected

RSS Twitter Facebook LinkedIn
Subscribe

Topics

Blog Authors Show/Hide

  • Kyle R. Freeny
  • Kevin P. Ray
GT Law Blogs

Archives

Recent Posts

  • SCOTUS Warhol Decision Articulates Narrow Limitation to Transformative Fair Use
  • Problems of Provenance: The Gilgamesh Dream Tablet
  • Implications for Art Dealers in Anti-Money Laundering Provisions of the National Defense Authorization Act of 2021
  • Nazi-Looted Art: Cranach Paintings to Remain at Norton Simon Museum
  • Persepolis Collection:  Iranian Artifacts Immune from Execution

Cultural Assets

Greenberg Traurig, LLP logo
RSS Twitter Facebook LinkedIn
Privacy PolicyDisclaimer

About Greenberg Traurig

Greenberg Traurig, LLP has more than 2650 attorneys in 45 locations in the United States, Europe and the Middle East, Latin America, and Asia. The firm is a 2022 BTI “Highly Recommended Law Firm” for superior client service and is consistently among the top firms on the Am Law Global 100 and NLJ 250. Greenberg Traurig is Mansfield Rule 5.0 Certified Plus by The Diversity Lab. The firm is recognized for powering its U.S. offices with 100% renewable energy as certified by the Center for Resource Solutions Green-e® Energy program and is a member of the U.S. EPA’s Green Power Partnership Program. The firm is known for its philanthropic giving, innovation, diversity, and pro bono. Web: www.gtlaw.com.

Copyright © 2023, Greenberg Traurig, LLP. All Rights Reserved.
Law blog design & platform by LexBlog LexBlog Logo