For nearly two decades, the fate of Camille Pissaro’s Rue St. Honoré, après midi, effet de pluie (Rue Saint-Honoré in the Afternoon. Effect of Rain) (1897) (the “Painting”)[1]
Continue Reading Nazi-Looted Art: One Painting, Two Owners, and Two Laws in Conflict: Cassirer v. Thyssen-Bornemisza Collection Foundation